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Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Critical Examination at 90s Rave Culture

Produced by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of cider, intent on soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game releases in British and Irish theaters from 17 November.

By

Michele Ramirez

A tech writer and digital strategist passionate about emerging technologies and their impact on society.

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